The signs of tears had all gone, but some subtle change seemed to have stolen into her face. A dresser, a washstand, and a clothes press. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He was not addicted to monologue, and the only audible comment he permitted himself at first upon a universe that was evidently anything but satisfactory to him that afternoon, was one compact and entirely unassigned “Damn!” The word must have had some gratifying quality, because he repeated it. A dozen words, and he saw Enschede as clearly as though he stood hard by in the flesh. Wood, ironically; "but I used to think it required something more than mere words to prove that a person's character was abused. And so Winifred understood him. But the world didn’t do that. It isn’t the same thing.
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