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On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. He jumped back, wrenching the sword away. He was unaware that his illness had opened the way to the inherent conscience and that the acquired had been temporarily blanketed, or that there was any ancient fanaticalism in his blood.

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