Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He saw the tragedy on the boy's face; but he was merciless. “And to think that it’s not a full year ago since I was a black-hearted rebel school-girl, distressed, puzzled, perplexed, not understanding that this great force of love was bursting its way through me! All those nameless discontents—they were no more than love’s birth-pangs. What had been happening all this time? ‘Do you tell me he has not again left his apartment?’ ‘Only to go to some party or other Monday night,’ Kimble said. ‘In this case, I will not kill him at all, even that he should have remained to wait for my letter.
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