On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. Just as they reached the eastern outlet of the churchyard— where the tall elms cast a pleasant shade over the rustic graves—a momentary stoppage took place. Here and there, patches of flesh adhered to the bones, and the dank dripping hair hanging about what had once been the face, gave it a ghastly appearance.
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