“Many nights I have thought of you, Anna. Brown gushed conservatively about the orchestra, letting the audience know about the recording engineers and how proud he was of Martin Chen. But the restraint exercised by her instinctive delicacy was very great; over and above coarse or sexual matters it covered religion and politics and any mention of money matters or crime, and Ann Veronica found herself wondering whether these exclusions represented, after all, anything more than suppressions. ‘Go and fetch her home,’ he said; ‘it isn’t what we thought! It’s just a practical joke of hers.
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